
the SLEEPYHEADS
| (don't let our) TUNELESS MOANING (go to waste) |
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01 addiction(3:00) 02 can’t go to church (1:42) 03 dead poet (1:26) 04 excitement calls (2:56) 05 i’m not good enough (2:27) 06 janitor fate (1:37) 07 man who wasn’t there, the (2:28) 08 monotone melody (3:45) 09 mystery plucker (2:56) 10 nature (love is like) (2:52) 11 positive for negative (1:55) 12 rescued (2:43) 13 tuneless moaning (4:11) 14 underdogs of sunshine (2:45) |
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"(DON'T LET OUR) TUNELESS MOANING (GO TO WASTE)" (2006): This is a true D.I.Y. album. Recorded in bedrooms and living rooms (or "garage") with minimum equipment, the Sleepyheads are attempting an album that would mix the Shaggs' "Philosophy of the World", the Velvet Underground's "Loaded", the Modern Lovers' debut album, Half Man Half Biscuit's "Back in the DHSS" (not to mention the 1960s/70s Filipino singer PEREGRINE's Richman-like heartache songs and his bubble-garage rock like trebly band, The Blinkers). Meaning: Raw, amateurish, nerdy, dark, funny and poppy! All songs are sang in "bootleg English" (Jayvee: "These are FILIPINO songs sang in Rock and Roll English, not American/British songs merely TRANSLATED by sell-out groups in Gutter Tagalog !"). They want to make foreign, as well as Filipino local (and provincial, who don't speak Tagalog), listeners UNDERSTAND and appreciate the Sleepyheads."Bootleg English" is their ticket to the GLOBALIZATION AS GARAGE-ROCK PHENOMENON (!), whatever you make of that. Song topics range from media "Addiction", to "Can't Go To Church" Catholic Guilt, to "Dead Poet" modern world disillusion, to "I'm Not Good Enough" rejection, to "Janitor Fate" reverse-career rebellion, to that Metro Manila street beggar "Mystery Plucker" blues sound. The MAXIMALIST artwork is a painting of estemeed New Filipino Modern artist LOUIE CORDERO. Get this: Maximalist Painting on the outside, Minimalist Music on the inside! Pressed on a mere 1,000 copies without Major Record Label support or Payola Publicity, the band "toured" various local clubs and sold the album after shows. Line-up on the album includes the brilliant Marvin Justo on "rusty clean-tone" guitar; Erick on (sometimes) one-string bass; and Jayvee on stand-up, three-piece drum kit and vocals. The great local Modern Art pioneer and University of the Philippines professor-artist CHABET (who was also the Cultural Center of the Philippines' first curator) LOVED the album, seeing DADAIST touches in the band's cut-up lyrics, calling its minimalisms "dressed down rock" and its songwriters "geniuses" (ahem!). |
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ADDICTION ADDICTION, ADDICTION AND THEY INVENTED ENTERTAINMENT I’LL FALL WITH YOU BUT YET IT’S TRUE CANT GO TO CHURCH CAN’T GO TO CHURCH PORNOGRAPHY IS ALL I’M THINKING DEAD POET THE WORLD’S SO BRIGHT VANDALISM SITS ON LOVERS LANE EXCITEMENT CALLS I WANNA MOVE I WANNA ROLL RADIO BLARES MONOTONY TECHNOLOGY A DESERT I’M NOT GOOD ENOUGH IM NOT GOOD ENOUGH FOR YOU BABY BABY I REALLY LIKE YOUR STYLE BABY BABY I KNOW YOU’RE SO STRONG JANITOR FATE I’M SITTING PRETTY WITH MY JANITOR FATE EARN A FEW BUCKS TOILETS COULD SUCK MAN WHO WASN’T THERE, the I’M THE MAN WHO WASN’T THERE ALL MY LIFE I WANTED YOU I’M THE MAN WHO WASN’T THERE MONOTONE MELODY MONOTONE MELODY CUSTOMERS ALWAYS RIGHT MONOTONE MELODY MYSTERY PLUCKER THE MYSTERY PLUCKER OPENING EARS NATURE (love is like) OH LOVE IS LIKE NATURE THINGS HAVE CHANGED SINCE YOU LEFT ME THE OTHER DAY OH LOVE IS LIKE NATURE… POSITIVE FOR NEGATIVE POSITIVE FOR NEGATIVE PLEASE BE MINE HEAVY PROBLEMS DISTORT GUITAR RESCUED AND WHEN I LOOK AT THE MOON JUST WHEN I THOUGHT IT WAS TOO LATE HAPPINESS WAS SO OBSCURE AND WHEN I LOOK AT THE SUN TUNELESS MOANING TUNELESS MOANING THOSE SONGS ARE LYING THE FANGS OF ANGST UNDERDOGS OF SUNSHINE WE’RE THE UNDERDOGS OF SUNSHINE INVENTED COPIES, BOOTLEG ENGLISH
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